Media and Communications Policy : Media Policy & First Amendment Foundation : The Media Institute : Free Speech, Media Regulation, Content Controls

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FCC's "OpenInternet"

The FCC website, now in Beta, called OpenInternet.Gov is interesting.  It’s not great, but it’s better than you might expect and sort of refreshing.

Ostensibly given over to a public discussion of the “important issues facing the Internet,” the site’s primary focus is on one issue facing the Internet: Chairman Genachowski’s plans to extend and codify the FCC’s so-called Internet principles.

Unlike the FCC’s main site, which is as unreliable as it is difficult to navigate, OpenInternet actually works pretty well.  Much more importantly, it’s attracting, in addition to fans and the usual sycophants, a fair number of people who are critical of the Commission’s plans.

The public’s views are communicated in two ways, through the posting of opinions on the “Join the Discussion” page, and by posting comments there and on the “OpenInternet Blog” page.  Check it out.

Love That AMC

Close observers of this blog will remember an earlier piece written in appreciation of the impressive AMC series “Breaking Bad.”  Yesterday's was the penultimate show this season of the other award-winning AMC series, “Mad Men.”  And coming to AMC on Nov. 15 is a miniseries remake of the classic 1960s series, “The Prisoner.”

All of which begs the question: What’s the deal with AMC?  Are they trying to make us love them?  If so, they’re succeeding.

Hugo Chavez and Friends

Many of the editors at a magazine I used to work for had “laws.”  One’s law was “never go west of Fifth Avenue unless you absolutely have to.”  Another’s was “the love of evil is the root of all money.”  But the one that I recall most often was “when you find a good thing run it into the ground.”  (The same person who authored that law once told me that in order to handle New York cabbies you need to have iron lungs, a nasty disposition, and a law degree, and he had all three.)

Anyhow, I’m reminded of the “good thing” law whenever I reflect on the endless joy it gives me to say something truly unkind about people who’ve earned it.  It’s in this spirit that I’m pleased to present this week’s Trousered Ape Award to Sean Penn, Danny Glover, and Oliver Stone (who also receives a Golden Homunculus), for their support of Hugo Chavez at precisely that moment when he’s cracking down on free speech, and every other human right, in Venezuela.  One can only wonder where we'd be, as a nation, without such people.

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For those whose professional lives are spent in or around politics there is often a yearning for something that unifies.  This, because even at its best politics is a science of division, where people are separated – by class, philosophy, interest, geography – into voting blocs.

This yearning helps explain the extraordinary popularity, in Washington, of the Redskins, one of the very few interests in the nation's capital around which people of every belief can and do rally.  Art is another such interest – where, that is, it is innocent of overt political manipulation.

So it is, for some of us, with blues music, the musical form created by African-Americans in the South in the late 1800s, and which has contributed so much to jazz, rhythm and blues, and rock and roll.

Reference is often made to particular genres or styles of blues music – such as the Delta, Piedmont, or Chicago blues – but in the opinion of one who has studied this matter closely, the reality is a little more complex.  The truth, according to Tim Duffy, is that the music played even by musicians who are said to be of a certain style is highly individualistic, a fact that takes on a special poignancy given the advanced age of so many of these musicians, many of whom have never even been recorded and who live, in their old age, in poverty.

In an effort to assist these people, and to preserve and promote their music, Duffy and his wife, Denise, formed the Music Maker Relief Foundation (MMRF) in 1994.  Sporting the motto, “keeping the bluest of the blues alive,” MMRF assists in myriad ways: by providing everyday living expenses for some, and by recording and arranging for promotional tours, here and abroad, for others.

A perfect example of what a national treasure is at stake can be found in the life and music of the late Etta Baker.  The woman whom NPR referred to as the “world’s premier Piedmont-style blues guitarist,” Baker played the guitar and banjo from age 3 until her death, a few years back, at 93.  Her skill and renown notwithstanding, it wasn’t until 1991, when Etta was 78, that her own first (authorized) recording was released.  You can listen to some of her works, available on the MMRF website, here.

On Oct. 15, The Media Institute will host its 18th annual Friends & Benefactors Awards Banquet.  As we always do on such occasions, we are going to recognize the good works of some people in government and the media.  But this year we are also going to salute the Music Maker Relief Foundation, for the role they play in advancing and preserving this uniquely American form of speech.